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Ask someone else to read the article. You may find spelling mistakes or incomprehensible sentences. When you read your draft this time, ask yourself: Does it work? Is it too general, too easy, uninteresting, unclear or choppy? If so, browse some of your favorite posts to find how-to articles. What techniques do these authors use that you could apply? Which means that as a writer, you have to promise them what they need. Your last impression is often just as important (if not more) than the first. Leave your readers a nugget of gold, and they will come back to continue reading your next article. and the next. and the next. In this model, the artist is like the optician who always asks: is it better this way? Or is it? When you`re done with an article, summarize everything you`ve covered in your blog post and give your reader concrete steps to overcome their problems and achieve their goals. This prevents them from feeling lost after reading your article.

Many businesses that want an online presence but don`t have writers can hire an article writer to fill their website and blog with fresh content. There are also several online businesses that provide personalized content to businesses that need a constant stream of new content for their websites. Copywriters who work for these companies are often referred to as “content writers” and may specialize in writing in a way that promotes high search engine rankings, sometimes referred to as “search engine optimization” (SEO). An article author may independently solicit web clients or work as an independent contractor for a web content provider. Now it`s time to start writing, but that`s where most people get stuck. They overanalyze their work and expect to write a perfect first draft. The internet is full of people sharing their successes online. I hope reading this article is a small step in your writing journey to success. Please refer to the article [attached/attached] [word count],

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for publication in [name of publication]. You can apply your skills as an article writer in one of your favorite industries. The ways to find work in your areas of interest are: writing is half science and half art.

Writing brilliant and popular articles may involve a dose of luck, but happiness is like salt – it has to be sprinkled on something to taste good. When it comes to writing, you need to have some SOLID strategies before your article can really shine. For the web, you want to divide your content into clear sections with H2 or H3 headers that identify the following content. Keep your paragraphs short and make your article text easy to scan. This will help readers get the information they want and stay in touch with your article for as long as possible. Whichever method you use, you need something to organize your ideas so that you can express them in the most effective way when you start writing. Experiment and find out what works for you. And what a pleasure it is; to be less doping on the site than usual. Put your article aside and work on something else. Let it rest for a few days before reading it again.

Then read it three times. Keep in mind that until you send your article to an editor, print 100 copies, or publish it on your website, you`ll realize the terrible mistake (like “you” instead of “there”) that everyone who has read it overlooked, including you. The best thing you can do? Fix it and send it back or republish it. Don`t leave it and hope no one notices. They will. Writing articles is a great way to help your audience solve their problems, increase brand awareness, and build an audience. For most people, writing articles is tedious, but it`s not necessary. With this 6-step process, you are constantly pumping content onto the first page. Narrative writing is essentially storytelling. This can be a form of persuasive writing, but a good narrative article has a strong introduction, followed by a rising plot, climax, and resolution. What does an artist usually do? It optimizes what it has already done.

There are those moments when we sit in front of a blank page, but most of the time we adjust what is already there. The author revises, the painter retouches, the director edits, the musician doubles. I write: “Jane entered the room and sat on the blue sofa”, I read this wink, I slid “entered the room” and “down” and “blue” (Why does she have to enter the room? Can someone sit on a couch? Why do we care if it`s blue?) and the sentence becomes “Jane was sitting on the couch – ” and suddenly it`s better (Hemingwayesque, even!), though. Why does it make sense for Jane to sit on a couch? Do we really need it? And soon we arrived at “Jane”, which at least is not and has the virtue of brevity. In general, authors always put too many soft toys in their first draft. The more you can cut, the tighter and better your item will be. As Seth Godin once said, let the article sit instead. Great for a day or two.

The longer the article, the longer you have to wait before coming back to it. I had been writing short stories using this method for 20 years, always assuming that a completely new method (more planning, more open intention, large chaotic diagrams, sophisticated numerological systems underlying the letters in the characters` names) would be needed for a novel. Of course not. My novel essentially followed the same principles that my stories have always had: somehow, get to your desk, read what you have so far, observe that frontal needle, adjust accordingly. Admittedly, the whole thing was done on a slightly larger scale, but there was a moment when I finally realized that someone who wants to do something artistically intense at 55 is likely to use the same skills they obsessively honed all these years; The trick might be to unsettle yourself so that the skills come to the table fresh and a little confusing. A Kapellmeister, accustomed to working with three accordionists, receives a symphony orchestra; What he has developed all these years, perhaps, goes beyond mere instrumentation – his interpretation of melody and harmony should be transferable to this new group, and he might even look at himself again, so to speak: revived by his own sudden strangeness in this new realm. No. People read articles because they NEED something: information, advice, encouragement, etc. I wrote this article for online publication. This means that most readers will find out through a search engine.

Thus, the title structure contains popular search terms known as “keywords”. The keywords in the title of this article are: Again, your path to writing paid articles offers options. Which one is right for you? A manual is written in sequence – first you do this, then you do this. The essential question that the writer asks himself when writing a practical guide is: “What happens next?” When you`re about to embark on a guide, start with what you think is the beginning and answer that question over and over again. Before you know it, you`ve sketched out a draft of a how-to article. Don`t just quote one or two experts per article. Name six or more. At least.

This will show readers that you`ve really done your homework and that they can trust what you say. Some of the ideas in your article will be relevant to some readers and not others. So, label your article appropriately with well-designed subheadings and let readers read only the parts that are most useful to them. Make sure you have included all relevant steps in the process. How-to articles should be comprehensive. You want your reader to know exactly how to make that Thanksgiving dinner on a tight budget, do the rugby tackle, or find great places to stay. You can enter the URL of your article if you have already published it instead of having to copy and paste all the text. It`s hard for new writers to sell opinion pieces. I recommend sticking to the factual articles at the beginning. If you want to learn how to write articles that sell, remember that the information market is bigger than the opinion market. It`s also easier to plan a well-structured factual article than an opinion piece.

The explanatory articles follow a logical course and lead the reader to a new understanding. Many articles published on the Internet today are explanatory because companies position themselves as authorities in their field. They want to demonstrate their knowledge and expertise and offer the reader added value. A work of fiction can be understood as a three-bar movement: a juggler picks up bowling pins; throws them in the air; catches them. This intuitive approach I mentioned is, in my opinion, the most important of the first phase: collecting pins. This collection phase is real: evoking pins. Somehow, the best pins are the ones accidentally manufactured by this radical and iterative preference system I`ve described. When we focus on the line-to-line sound of prose, or a matter of inner logic, or describe a particular part of nature in the most impressive way (that is, doing what gives us pleasure and on which we have a strong opinion), we suddenly realize that we have made a pin. Which pin? It is better not to name it. To name it is to reduce it. Often, “pinning” exists simply as a form of imperative or as something that interests us; A threat, a promise, a model, a vow that we believe must soon be broken. Scrooge says it would be better if Tiny Tim died and disposed of the excess population; Romeo loves Juliet; Akaky Akakievich needs a new coat; Gatsby really wants Daisy.

(The color gray keeps popping up; everything that appears in the story does so in pairs.) Yes, some writers write instinctively and create structure as they go. But this only works if you`re an experienced writer with an intuitive sense of structure and flow of ideas.

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